(Art by Richard Rothwell.)
Shelley's story has many similarities to the earlier legend of the Golem of Prague, and predicts many of the themes that would later be used in Karel Capek's play Rossum's Universal Robots; the play's story of humanity creating a servant race that eventually rebels and conquers the world (a plot revisited again and again in science fiction) is foreshadowed when Victor Frankenstein is ordered by the Creature to create a female companion for it, only to destroy it out of fear that the two will become the progenitors of a "race of devils" who will "make the very existence of the species of man a condition precarious and full of terror." Probably somewhat less well known is how Shelley's Creature also influenced the creation of the Mecha genre popularized by Japanese manga and anime, beginning with Tetsujin 28.
As recorded by Frederik L. Schodt in The Astro Boy Essays, Tetsujin's creator Mitsuteru Yokoyama took inspiration from Frankenstein (the film version) in creating his story about a mechanical monster built by humans (in this case, Japanese scientists who wanted a superweapon for the military during World War 2). Unlike the Creature, however, Tetsujin has no agency, and is only as good or evil as the person who commands him via remote control. Yokoyama's creation would go on to influence other mecha stories, such as Go Nagai's Mazinger Z, and would eventually culminate in Guillermo Del Toro's 2013 film Pacific Rim, which gives Shelley's Creature a sideways reference in its tagline "To Fight Monster, We Created Monsters," referring to the Jaegers (mecha) and Kaiju, both of whom are revealed in-story to be artificial constructs used as weapons of war by their respective creators.
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